
Throne, 2011 / electromotor, microchip contoller, feathers, metal structure, epoxy, office chair / 250 x 140 x 70 cm

Black Flag, 2011 / polyurethane, plastic bag, ventilator

Venus, 2011 / polyurethane, office chair / 60 x 90 x 75 cm

Resurrection II, 2011 / carpet, epoxy, beton, metal structure / height: 145 cm

Lazy Will, 2011 / polyurethane, ski boot / 220 x 75 x 50 cm

My Light is Your Life (model: Shiva Samurai 5kw/50Hz), 2009 / old lamps, cabels, electronics / 305 x 230 x 140 cm / unique

I see, I see, I see, 2009 / raven head, laminate, electronics, wood / approx. 25 x 450 x 25 cm

My light is your light, 2008 / steel construction, street lamps, electroinstallation / height 420 cm, Ø 560 cm / 2 unique pieces

All my bad thoughts, 2009 / polyurethane / 260 x 38 x 166 cm / unique

Paradise now, 2009 / zinc - coated steel / each 200 x 250 x 50 cm / by now 12 pieces

A Bigger Problem than Yours, 2007 / acoustic and kinetic sculpture, electro-mechanical device, bucket / height 28 cm, Ø 28 cm

Red is coming II, 2008 / polyurethane, paint / 170 x 100 x 100 cm

It's beginning, 2004 / installation / electronically controlled electric discharge, plug, cable, socket

Fatal Egoist No. 2, 2007 / modified bicycle / 101 x 90 x 140 cm

Revolution, 2005 / kinetic sculpture - figure banging its head against the wallmetal construction, electro-installation, polyurethane, clothes / 100 x 40 x 35 cm
ABOUT THE ARTIST
Kintera is one of the most successful and most interesting Czech artists of the youngest generation. His oeuvre is characteristic of a certain doubt concerning the possibilities and role of the arts. He creates sculptures and installations by combining or altering ordinary objects in unusual ways. By modifying common objects from everyday life, Kintera gives them new meaning and allows us to see a more removed perspective.
Partly I am also interested in shifting with purposes of things and items from ordinary life. I am trying to bend and warp the reality, sometimes using minimum effort, sometimes with a lot of effort. After such a process of modulation a new strange item starts its new unnecessary existence. It is about having its own and new (dis)logic and that is very exciting for me. Basically these works should not need verbal explanation. They are just here and that's it. Let's see what they can do without protecting them by explaining what they are. Kristof Kintera